Tuesday, April 26, 2011

On writer's block and other things

Of late, I've been suffering from a severe case of writer's block and I've been feeling nervous about it (not that I'm much of a writer, but still...) Horrible thoughts have crossed my mind. Is this the end of my writing streak? Am I running out of things to write about? Did I have only so many poems in me? Am I like a one movie actor? Well, I've decided to take desperate measures, to overhaul my way of functioning. I've been doing some research, looking up websites on writer's block, reading what great writers have to say about writing, and have finally ended up with the idea of scribbling in secret notebooks for my own joy. 


Kerouac in his "Belief and Technique for Modern Prose" says, among other things, that you should have "scribbled secret notebooks, and wild typewritten pages, for yr own joy." I know he's talking about prose, but a lot of what he says is true of other forms of writing too. And at this point, the reader will probably say, "Duh! That's obvious! You mean you didn't have any scribbled notes?" Well sometimes, as one goes through life, one needs to be reminded of the most basic, obvious rules, what with the world changing so rapidly. And Kerouac helps a lot with that. Always go back to it if you feel lost. Have you missed out something? I had. I did have typewritten, or rather, computerwritten pages, but I no longer had too many scribbled notes. The notes I had were the ones I scribbled at times when I didn't have the computer around me. Now I have realized, they are both indispensable. One can't replace the other. The feeling of having a pen in your hands and drawing out letters on a hard surface cannot be the same as pressing keys. The very pace of your thoughts changes when you start using a pen. And this may be taking things too literally, but maybe the typewriter can't be replaced by the computer either. The typewriter has a different tactile quality and the very force required to press down the keys so that they can make an impression on paper must surely affect the process of writing. The noise of an old rackety typewriter is irreplaceable too. The experience of typing things that appear on the screen and come out on paper only if you print them out is very different from that of typing things that are instantly spewed out by the typewriter in concrete form. And I love the fact that Kerouac actually typed on long rolls of paper instead of sheets, like a long road. MS Word does create the virtual impression of typing on a long roll, but seeing this loooong black and white roll of paper oozing out of the typewriter is definitely not the same as seeing only five inches of that roll appear on the screen as you scroll up and down. The link between life and art is completely destroyed by the process of typing on a computer.


Now, why did it take so long for me to realize that? Blame technology for it. I was not this dumb when I was younger. There was a time when I was suspicious of computers and refused to type my papers directly on MS Word. Moreover, I had this favourite pen that my father gifted me, and there was a time when I was terribly dependent on it. My ideas would flow only if I used that particular pen. I remember there were so many times when I'd misplace it and spend hours looking for it, refusing to resort to another one. And here I am, transformed into this techno-savvy writer who only types on the computer and sometimes, even directly on the blog (you see, there was a time when I used to write on MS Word and then paste my writings onto the blog). I don't know how and when this happened. I just vaguely remember 'wise' people telling me to get used to technology, learn to process information on the computer, because soon, there will be nothing available outside the virtual world. I don't blame these 'wise' people. I half agreed with them too. But now I wonder, is the current of history so powerful that we can't determine the way it goes while we are a part of it? Surely we can keep alive the physical side of life. There is still so much world out there.


This blog is taking a toll on me too. Although I know that just a handful of people read this blog, writing on a public forum does make you a wee bit self-conscious. My brain has probably frozen out of self-consciousness. I need a place to write in private, where nobody can see how my mind works. Right now, I feel as if the private space between me and the computer is being intruded upon by these invisible people who glance at what I write and pass on to other blogs because it doesn't impress them. I am paralyzed by the need to impress. It's funny, this process of writing. You want people to read and appreciate what you write, but you can't write if you know they are reading what you write. Another thing Kerouac says, and this is a beauty: "something that you feel will find its own form." (I'm taking it out of context, and my interpretation might contradict the rest of the things he says, but I like to see it this way too.) Maybe the things I'm feeling right now are in the process of finding a form other than a blog entry or a poem. Maybe the form they want is a simple diary entry or a scrawl at the corner of a page in a dogeared notebook. Then so be it. Let them find their own forms. I won't try to force them into a poem or a story or an essay.


So I have started scribbling once again, with my favourite old pen on a beautiful notebook I bought the other day. A beautiful notebook with Madhubani paintings on the cover. My favourite pen, by the way, is a Parker fountain pen. There is a story behind this pen. My father gave it to me on my birthday and told me how, as a child, he saw his own father using a similar Parker pen. My grandfather died when my father was really young, so it must be a memory my father treasures. And he told me he always wished for a pen like that, which is why he wanted me to have one. Yes, a lot of sentiments attached to that one tiny black pen.


To end this post on a less sentimental note, I must say, I love starting new notebooks. Starting a new MS Word document is nothing compared to the joy of putting your own mark on a fresh white first page. And if your handwriting is as untidy as mine, and if you are as clumsy as I am with fountain pens, well then it's just the beginning of a gloriously, deliciously scrawly and blotchy journey.

Tuesday, January 18, 2011

When the king goes down the street


A young band called ‘Rain of Heart’ has come up with a sad song about bomb blasts in Assam. This translation is an acknowledgement of how much I like it. Many thanks to the person who introduced me to this song….

When the king goes down the street
Happily blowing his siren,
A hungry man on the sidewalk
Runs and hides in a dustbin.

Sleepless lies the dying city,
Shopping malls, discos and bars;
False men, false times, false love:
The birth of a hollow civilization.

O mother! O father! O my children!

In this future of sooty gunpowder,
Nothing seems to make any sense;
The foxes have invaded the borders,
Why is Lachit's sword fast asleep?

A youth lies in a pool of blood
His beloved’s message on his mobile;
The lifeless body of someone’s sister,
The burnt remains of someone’s brother.

O mother! O father! O my children!

When the king goes down the street
Happily blowing his siren,
A hungry man on the sidewalk
Runs and hides in a dustbin.


Tuesday, January 4, 2011

Invigilators and examinees

There,
Where the silence
Is earth-shattering,
With the scratchings
Of your scrawling pens,
With a commotion of voices
Inside brains
Cluttered
With last night’s crammings,
There,
We will meet
At the appointed hour
Like enemies
On two sides
Of a dusty old desk—
My tryst with eternal boredom!

Sunday, November 28, 2010

Raijei Bhaoriya: People are the Players

A Song by Bhupen Hazarika


People are the players
And the world is a stage.
What role do you want to play?
Come, there's no time to lose.


No need for a rehearsal
No need for costumes.
Just come out naked.
Tie your own towels 
Around your hungry bellies
And come out.
That's the way
To make a colourful play.


It's time to ask the director,
How long will you cheat us
With the mask on your face
And your dramatic techniques.


No need for sweet dialogues;
Say it with your screams.
Fight the corrupt men
With your consciousness
And become worthy heroes.
That's the way
To make a colourful play.
What role do you want to play?
Come on! There's no time to lose!

Friday, November 5, 2010

Transient light

Bit by bit,
The dancing flames
Grow dim
As an evening lit up
By a million sparks
Comes to an end.
An evening
When a million homes
Came alive,
United
As one vast expanse
Of sparkling light
Under a cold, misty
Rumbling November sky.

Now, as the dying flame
Sucks dry every pore
Of the darkening lamp,
Time surrounds me
And swallows me
Into it’s darkest depths,
Like a sparkling moment
Of transient light.

Thursday, August 12, 2010

Monor batoribur: Tidings of my heart

A song by Jayanta Hazarika. This is how I would sing it in English:


If the tidings of my heart
Fall like the petals of a flower
And my silent poems
Come alive in new forms,
Would you come flooding in
With the colours of Phagoon*
And songs of the monsoon?


The sun sets
On the dreamy blue horizon;
The evening falls
On the wings of the stork;
O what a picture it paints!


Would you wipe out
The vast darkness
Of the night sky? 


If the tidings of my heart
Fall like the petals of a flower
And my silent poems
Come alive in new forms....



*I prefer to keep the word Phagoon here, even if it can perhaps be translated as March or spring, because it reminds me of Holi, the festival of colours. And of course, it rhymes with monsoon.

Monday, August 9, 2010

Guwahatik Nomoskar

The song of the Assamese common man, sung by Dost Habibur Rahman in the 1970s. I have always been delighted by this song about a villager who visits Guwahati, the confusing, corrupt, muddy, dusty, mosquito-infested capital city of Assam. I remember hearing it for the first time on the radio when I was a child, and I remember going breathless with laughter. After that, this song has been a fleeting thing which I would hear once in a blue moon, always on the radio, till a person named Himjyoti Talukdar uploaded it on Facebook and Youtube for everyone to hear at leisure. Although I'm afraid that the old world delight of being taken by surprise with this song playing on the radio has gone away, I have to admit that I'm grateful to him for making it possible for me to hear it so far away from home in Delhi. And I also have to admit that this song might soon be rarely played, or not at all, by the radio stations of Assam.


Rahman sings the song in the Kamrupiya dialect, and the song has a typically perky, funny folk tune. Each and every line in this song is so hilarious! And in the midst of that humour, he manages to touch so many socio-economic problems in the state. I wish I could translate it right now, but I know that this seemingly simple song is extremely difficult to translate. The accent and dialect, along with region specific idioms, and the situational humour make it practically untranslatable. So, I'll compensate by translating two lines that made me chuckle this time I heard it, but I'll have to tell you the story in order quote those lines. So here goes:

One day, our common man sits under a tree and wonders where his life is going, why his life is so sad. He wonders how people get to live in buildings in the city, while they can't even build a small house in the village. The next morning, he sets off to the railway station before anyone wakes up at home. There, he decides that Guwahati is the best place to go, because that is where he will be able to make some money.

When our common man gets down at Guwahati Railway Station, it begins to rain, and the water flows all over the roads and houses. After the rains, the sun comes up and dries the water and mud. The mud promptly turns into dust, which flies around and drastically reduces visibility. When the dust clears, our man sees people walking down narrow lanes and sings,

Nau men baat manuh soilsi, soisli motar bohu, 
Tatei dekhu baat gilanot dangar dangar khohu.
(So many people , so many cars 
are running on such tiny lanes,
And there are such big blisters on those lanes.)

These are probably my favourite lines now because of the current deplorable state of the roads in Assam (usually a seasonal problem), what with the Brahmaputra rising and the roads getting battered with heavy rains and heavier vehicles, and the government's famous inefficiency at repairing the damage. And I know that each time I hear the song, a new line will catch my attention, depending on what concerns me about Assam at that point of time. 


To continue with the song, our man goes through a lot of misadventures: 


He mistakes the High Court for Kamakhya temple and prays to Kamakhya Devi; he goes to the marketplace and sees 'foreigners' monopolizing the market; he sees people indulging in adulteration, smuggling with impunity; he sees 'beggar-like' people lining up at the ration stores where they are given half a kilo of rice each for a week, and he wonders how they manage with that; when evening comes, he sleeps in some verandah and is woken up in the middle of the night by the crowing of a cock and the buzzing of mosquitoes.... 


Finally, at dawn, he decides that his village is much cleaner (in all senses) than Guwahati and bids goodbye to the city, hence the name of the song: 'Guwahatik Nomoskar!' 


It's a wonderful song, so here's the Youtube link to it: